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	<title>Glenn Brown Archives - ArtsLife</title>
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		<title>Viscerali e astratti. I Piaceri Sconosciuti di Glenn Brown ammaliano Firenze</title>
		<link>https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/</link>
					<comments>https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/#respond</comments>
		
		<dc:creator><![CDATA[Redazione]]></dc:creator>
		<pubDate>Thu, 15 Jun 2017 23:50:19 +0000</pubDate>
				<category><![CDATA[approfondimenti]]></category>
		<category><![CDATA[critica]]></category>
		<category><![CDATA[terza pagina]]></category>
		<category><![CDATA[Firenze]]></category>
		<category><![CDATA[Glenn Brown]]></category>
		<category><![CDATA[Glenn Brown. Piaceri Sconosciuti]]></category>
		<category><![CDATA[Museo di Stefano Bardini]]></category>
		<guid isPermaLink="false">http://www.artslife.com/?p=183023</guid>

					<description><![CDATA[<p>Il contemporaneo sposa il passato. I Piaceri Sconosciuti di Glenn Brown (1966) incontrano per tutta l'estate i capolavori del passato del Museo di Stefano Bardini a Firenze, dal 10 giugno al 23 ottobre 2017. L’artista inglese porta la sua esuberante e originale poetica nella città rinascimentale</p>
<p>The post <a href="https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/">Viscerali e astratti. I Piaceri Sconosciuti di Glenn Brown ammaliano Firenze</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p>
]]></description>
		
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		<title>REPORT Sotheby&#8217;s Londra &#8211; Arte contemporanea e Arte Italiana del XX secolo</title>
		<link>https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/</link>
					<comments>https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/#comments</comments>
		
		<dc:creator><![CDATA[Tommaso Calabro]]></dc:creator>
		<pubDate>Fri, 18 Oct 2013 10:04:58 +0000</pubDate>
				<category><![CDATA[mercato]]></category>
		<category><![CDATA[notizie]]></category>
		<category><![CDATA[risultati 2013]]></category>
		<category><![CDATA[Alberto Burri]]></category>
		<category><![CDATA[Alex Hubbard]]></category>
		<category><![CDATA[Alexander Calder]]></category>
		<category><![CDATA[Alighiero Boetti]]></category>
		<category><![CDATA[Christopher Wool]]></category>
		<category><![CDATA[Dadamaino]]></category>
		<category><![CDATA[Enrico Castellani]]></category>
		<category><![CDATA[Giorgio Morandi]]></category>
		<category><![CDATA[Glenn Brown]]></category>
		<category><![CDATA[lucio fontana]]></category>
		<category><![CDATA[Lynette Yiadome Boakye]]></category>
		<category><![CDATA[Marino Marini]]></category>
		<category><![CDATA[Mario Merz]]></category>
		<category><![CDATA[Michelangelo Pistoletto]]></category>
		<category><![CDATA[NATE LOWMAN]]></category>
		<category><![CDATA[Oliver Barker]]></category>
		<category><![CDATA[Oscar Murillo]]></category>
		<category><![CDATA[Richard Hamilton]]></category>
		<category><![CDATA[SOTHEBY'S]]></category>
		<category><![CDATA[Stanley J. Seeger]]></category>
		<category><![CDATA[Takashi Marakami]]></category>
		<category><![CDATA[Wade Guyton]]></category>
		<guid isPermaLink="false">http://www.artslife.com/?p=68571</guid>

					<description><![CDATA[<p>Il commento di Tommaso Calabro che ha seguito l'asta in sala per ArtsLife</p>
<p>The post <a href="https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/">REPORT Sotheby&#8217;s Londra &#8211; Arte contemporanea e Arte Italiana del XX secolo</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p>
]]></description>
		
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			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Contemporary London: domina Christie&#8217;s</title>
		<link>https://artslife.com/2012/07/02/contemporary-london-domina-christies/</link>
					<comments>https://artslife.com/2012/07/02/contemporary-london-domina-christies/#respond</comments>
		
		<dc:creator><![CDATA[Martina Gambillara]]></dc:creator>
		<pubDate>Mon, 02 Jul 2012 08:28:13 +0000</pubDate>
				<category><![CDATA[mercato]]></category>
		<category><![CDATA[notizie]]></category>
		<category><![CDATA[Alexander Calder]]></category>
		<category><![CDATA[Alighiero Boetti]]></category>
		<category><![CDATA[Andro Wekua]]></category>
		<category><![CDATA[Beatriz Milhazes]]></category>
		<category><![CDATA[CHRISTIE'S]]></category>
		<category><![CDATA[David Altmejd]]></category>
		<category><![CDATA[Francis Bacon]]></category>
		<category><![CDATA[Gerhard Richter]]></category>
		<category><![CDATA[Giuseppe Gabellone]]></category>
		<category><![CDATA[Glenn Brown]]></category>
		<category><![CDATA[Igor Gusev]]></category>
		<category><![CDATA[Jean- Michel Basquiat]]></category>
		<category><![CDATA[Josh Smith]]></category>
		<category><![CDATA[Marcel Broodthaers]]></category>
		<category><![CDATA[Matias Faldbakken]]></category>
		<category><![CDATA[Maurizio Cattelan]]></category>
		<category><![CDATA[Michelangelo Pistoletto]]></category>
		<category><![CDATA[Phillips de Pury]]></category>
		<category><![CDATA[SOTHEBY'S]]></category>
		<category><![CDATA[Tomas Saraceno]]></category>
		<category><![CDATA[Yves Klein]]></category>
		<guid isPermaLink="false">http://www.artslife.com/?p=24672</guid>

					<description><![CDATA[<p>Un resoconto sulle aste di giugno da Christie's, Sotheby's e Phillips de Pury</p>
<p>The post <a href="https://artslife.com/2012/07/02/contemporary-london-domina-christies/">Contemporary London: domina Christie&#8217;s</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
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		<title>London journal &#8211; 27 giugno 2012</title>
		<link>https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/</link>
					<comments>https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/#respond</comments>
		
		<dc:creator><![CDATA[Alice Capiaghi]]></dc:creator>
		<pubDate>Wed, 27 Jun 2012 09:57:53 +0000</pubDate>
				<category><![CDATA[approfondimenti]]></category>
		<category><![CDATA[critica]]></category>
		<category><![CDATA[Glenn Brown]]></category>
		<category><![CDATA[lichtenstein]]></category>
		<category><![CDATA[Tobias Meyer]]></category>
		<guid isPermaLink="false">http://www.artslife.com/?p=24235</guid>

					<description><![CDATA[<p>Uno, due, tre e ricomincia il carosello delle Evening Sale. Ho sempre adorato questi appuntamenti, fin da quando ero studente al Sotheby’s Institute e andare a vedere un’asta serale era quasi come un compito a casa. Solo posti in piedi allora, e quelli più in fondo, se non addirittura nella sala accanto dove l’asta non la vedi dal vivo ma su uno schermo. Poi piano piano le cose sono cambiate e ho iniziato a essere tra i giornalisti accreditati. La prospettiva era totalmente nuova: spesso ancora in piedi, sì, ma per ora scelta, per poter vedere meglio la sala, e [&#8230;]</p>
<p>The post <a href="https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/">London journal &#8211; 27 giugno 2012</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p>
]]></description>
		
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