<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" > <channel> <title>Glenn Brown Archives - ArtsLife</title> <atom:link href="https://artslife.com/tag/glenn-brown/feed/" rel="self" type="application/rss+xml" /> <link>https://artslife.com/tag/glenn-brown/</link> <description>mostre d'arte | art news | artemercato | cultura</description> <lastBuildDate>Thu, 15 Jun 2017 23:50:19 +0000</lastBuildDate> <language>it-IT</language> <sy:updatePeriod> hourly </sy:updatePeriod> <sy:updateFrequency> 1 </sy:updateFrequency> <generator>https://wordpress.org/?v=6.6.2</generator> <image> <url>https://artslife.com/wp-content/uploads/2019/11/cropped-icona-artslife-20112019-500x500-32x32.png</url> <title>Glenn Brown Archives - ArtsLife</title> <link>https://artslife.com/tag/glenn-brown/</link> <width>32</width> <height>32</height> </image> <item> <title>Viscerali e astratti. I Piaceri Sconosciuti di Glenn Brown ammaliano Firenze</title> <link>https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/</link> <comments>https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/#respond</comments> <dc:creator><![CDATA[Redazione]]></dc:creator> <pubDate>Thu, 15 Jun 2017 23:50:19 +0000</pubDate> <category><![CDATA[approfondimenti]]></category> <category><![CDATA[critica]]></category> <category><![CDATA[terza pagina]]></category> <category><![CDATA[Firenze]]></category> <category><![CDATA[Glenn Brown]]></category> <category><![CDATA[Glenn Brown. Piaceri Sconosciuti]]></category> <category><![CDATA[Museo di Stefano Bardini]]></category> <guid isPermaLink="false">http://www.artslife.com/?p=183023</guid> <description><![CDATA[<p>Il contemporaneo sposa il passato. I Piaceri Sconosciuti di Glenn Brown (1966) incontrano per tutta l'estate i capolavori del passato del Museo di Stefano Bardini a Firenze, dal 10 giugno al 23 ottobre 2017. L’artista inglese porta la sua esuberante e originale poetica nella città rinascimentale</p> <p>The post <a href="https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/">Viscerali e astratti. I Piaceri Sconosciuti di Glenn Brown ammaliano Firenze</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p> ]]></description> <wfw:commentRss>https://artslife.com/2017/06/16/glenn-brown-piaceri-sconosciuti-discorso-artistico-contemporaneo-passato/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>REPORT Sotheby’s Londra – Arte contemporanea e Arte Italiana del XX secolo</title> <link>https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/</link> <comments>https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/#comments</comments> <dc:creator><![CDATA[Tommaso Calabro]]></dc:creator> <pubDate>Fri, 18 Oct 2013 10:04:58 +0000</pubDate> <category><![CDATA[mercato]]></category> <category><![CDATA[notizie]]></category> <category><![CDATA[risultati 2013]]></category> <category><![CDATA[Alberto Burri]]></category> <category><![CDATA[Alex Hubbard]]></category> <category><![CDATA[Alexander Calder]]></category> <category><![CDATA[Alighiero Boetti]]></category> <category><![CDATA[Christopher Wool]]></category> <category><![CDATA[Dadamaino]]></category> <category><![CDATA[Enrico Castellani]]></category> <category><![CDATA[Giorgio Morandi]]></category> <category><![CDATA[Glenn Brown]]></category> <category><![CDATA[lucio fontana]]></category> <category><![CDATA[Lynette Yiadome Boakye]]></category> <category><![CDATA[Marino Marini]]></category> <category><![CDATA[Mario Merz]]></category> <category><![CDATA[Michelangelo Pistoletto]]></category> <category><![CDATA[NATE LOWMAN]]></category> <category><![CDATA[Oliver Barker]]></category> <category><![CDATA[Oscar Murillo]]></category> <category><![CDATA[Richard Hamilton]]></category> <category><![CDATA[SOTHEBY'S]]></category> <category><![CDATA[Stanley J. Seeger]]></category> <category><![CDATA[Takashi Marakami]]></category> <category><![CDATA[Wade Guyton]]></category> <guid isPermaLink="false">http://www.artslife.com/?p=68571</guid> <description><![CDATA[<p>Il commento di Tommaso Calabro che ha seguito l'asta in sala per ArtsLife</p> <p>The post <a href="https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/">REPORT Sotheby’s Londra – Arte contemporanea e Arte Italiana del XX secolo</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p> ]]></description> <wfw:commentRss>https://artslife.com/2013/10/18/report-sothebys-londra-arte-contemporanea-arte-italiana-del-xx-secolo/feed/</wfw:commentRss> <slash:comments>1</slash:comments> </item> <item> <title>Contemporary London: domina Christie’s</title> <link>https://artslife.com/2012/07/02/contemporary-london-domina-christies/</link> <comments>https://artslife.com/2012/07/02/contemporary-london-domina-christies/#respond</comments> <dc:creator><![CDATA[Martina Gambillara]]></dc:creator> <pubDate>Mon, 02 Jul 2012 08:28:13 +0000</pubDate> <category><![CDATA[mercato]]></category> <category><![CDATA[notizie]]></category> <category><![CDATA[Alexander Calder]]></category> <category><![CDATA[Alighiero Boetti]]></category> <category><![CDATA[Andro Wekua]]></category> <category><![CDATA[Beatriz Milhazes]]></category> <category><![CDATA[CHRISTIE'S]]></category> <category><![CDATA[David Altmejd]]></category> <category><![CDATA[Francis Bacon]]></category> <category><![CDATA[Gerhard Richter]]></category> <category><![CDATA[Giuseppe Gabellone]]></category> <category><![CDATA[Glenn Brown]]></category> <category><![CDATA[Igor Gusev]]></category> <category><![CDATA[Jean- Michel Basquiat]]></category> <category><![CDATA[Josh Smith]]></category> <category><![CDATA[Marcel Broodthaers]]></category> <category><![CDATA[Matias Faldbakken]]></category> <category><![CDATA[Maurizio Cattelan]]></category> <category><![CDATA[Michelangelo Pistoletto]]></category> <category><![CDATA[Phillips de Pury]]></category> <category><![CDATA[SOTHEBY'S]]></category> <category><![CDATA[Tomas Saraceno]]></category> <category><![CDATA[Yves Klein]]></category> <guid isPermaLink="false">http://www.artslife.com/?p=24672</guid> <description><![CDATA[<p>Un resoconto sulle aste di giugno da Christie's, Sotheby's e Phillips de Pury</p> <p>The post <a href="https://artslife.com/2012/07/02/contemporary-london-domina-christies/">Contemporary London: domina Christie’s</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p> ]]></description> <wfw:commentRss>https://artslife.com/2012/07/02/contemporary-london-domina-christies/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item> <title>London journal – 27 giugno 2012</title> <link>https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/</link> <comments>https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/#respond</comments> <dc:creator><![CDATA[Alice Capiaghi]]></dc:creator> <pubDate>Wed, 27 Jun 2012 09:57:53 +0000</pubDate> <category><![CDATA[approfondimenti]]></category> <category><![CDATA[critica]]></category> <category><![CDATA[Glenn Brown]]></category> <category><![CDATA[lichtenstein]]></category> <category><![CDATA[Tobias Meyer]]></category> <guid isPermaLink="false">http://www.artslife.com/?p=24235</guid> <description><![CDATA[<p>Uno, due, tre e ricomincia il carosello delle Evening Sale. Ho sempre adorato questi appuntamenti, fin da quando ero studente al Sotheby’s Institute e andare a vedere un’asta serale era quasi come un compito a casa. Solo posti in piedi allora, e quelli più in fondo, se non addirittura nella sala accanto dove l’asta non la vedi dal vivo ma su uno schermo. Poi piano piano le cose sono cambiate e ho iniziato a essere tra i giornalisti accreditati. La prospettiva era totalmente nuova: spesso ancora in piedi, sì, ma per ora scelta, per poter vedere meglio la sala, e […]</p> <p>The post <a href="https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/">London journal – 27 giugno 2012</a> appeared first on <a href="https://artslife.com">ArtsLife</a>.</p> ]]></description> <wfw:commentRss>https://artslife.com/2012/06/27/giorno-9-27-giugno-2012/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>